Posts filed under 'Film'

Two stylish video news reports

Both from Channel 4:

http://www.channel4.com/news/articles/arts_entertainment/
art/what+now+for+the+national+trust/2314772

A report by Nicholas Glass - informal but smooth - it rolls along (it felt self-shot to me… but it’s not). Web page just seems to repeat the film script though - a pity.

And the programme after:

19:50 The Truth About Street Weapons  
The Code of Silence
This film explores the culture of silence that grips on the Mancunian community in which 15-year-old Jesse James was murdered two years ago.

Good access - the community spoke.
Also no cutaways over the interview edits - jarring and effective with such a powerful subject… can’t seem to watch again on the website… who is the film maker?


Add comment July 4, 2008

Show me the money, Jerry. Show me the money

From Wikipedia: “Cameron Crowe suggests reaching out to the people around us is the key to professional as well as personal success. The famous “Show me the money!” scene, featuring Rod Tidwell demanding Jerry scream his “family motto” back to him over the phone, epitomizes the empty values of those around Jerry, yet somewhat paradoxically it is Rod who serves as a role-model for the family values and personal attention that Jerry seeks. Crowe’s point is that the pursuit of financial success need not be incompatible with family values or personal relationships, simply that it should take second place to them.”

http://en.wikipedia.org/wiki/Jerry_Maguire


Add comment May 11, 2008

James Bond in a wig

I got told tonight that Sean Connery went bald at 21 and wore a wig in all of the James Bond films that he appeared in. I don’t think that this is true - but I’d like to believe it is - so I’m not going to investigate.

I like the idea of it - James fighting and dispatching the bad guys, then pausing to adjust his toupee. Or Bond 007 wooing the ladies - but not bending his neck too much in case his hairpiece falls off… or even better… Bond 007 fending off a huge fellow with metal gnashers with one hand - while his other hand is pressed down hard upon his wig - making sure it doesn’t fly off in the kerfuffle.


Add comment April 2, 2008

No talking!

“Who the hell wants to hear actors talk?”

HM Warner, Warner Bros, 1927


Add comment March 29, 2008

Alice Lok Cahana

Alice Lok Cahana - look up her story. Her mother arranging violets - in the ghetto.


Add comment March 25, 2008

Hunter S Thompson in the UK

The Observer invited Hunter S Thompson to cover the Braemar Games in Scotland (Royals, whiskey and guns) in 1992. He never made it. He did visit London for three days though, as Robert Chalmers recounted in GQ magazine - 1999 - in an article called ‘Fear and loathing in the Edgware Road’.

My selection of what Robert wrote:

Friday September 4th, 1992. 8:25am: “Thompson has begun a commentary on the view from the rear window: ” Poor f***ing dingbats, slobbering idiots roaming in the streets, doom, death and decay.” (We have reached Clapham.)”

The gents toilet, the Fox and anchor, 10am: I am hailed by an animated, grey-haired man in a suit, standing on my right at the trough urinal. It’s only 10 o’clock he says, but by Christ, I’m pissed. He says he works for Dewhurst butchers, who are having a do in a function room upstairs; he looks like a regional manager, in town for the day and making the most of it. Behind him I can see Thompson (in the cubicle, but with the door wide open) vigorously snorting cocaine.

10:20 a.m..There follows a 10 minute gap in which Thompson is left upstairs unsupervised; in this time, which passes mercifully unrecorded, he appears to have wandered into the butcher’s convention and mingled. When he eventually reappears, Thompson is brandishing a battered hardback called The Games, a book which, he announces, is research material for his trip to Braemar, but which turns out to be a social history of bullfighting in Andalusia. He claims he was given it by one of the men from Dewhurst.

11 a.m., Hunter is rapidly descending into a amphetamine psychosis; rambling about not understanding his brief, not being taken care of, not knowing what he’s doing here. His conversation sounds like William Burroughs reading Finnegan’s Wake. I hail a black cab; Thompson emerges, snarling, from the fox and anchor. He is carrying a half pint glass full of neat whisky. As he sits down on the back, he turned to me and begins to speak. He says: I am a professional.

12.00pm, at his hotel:… Hunter is teetering on the balcony, peering out over the Edgware road with a pair of binoculars, muttering about dingbats in Canary Wharf. He is surprisingly keen on the Post Office Tower.

===

Later, Robert found at the Metropole, a room service menu on which Thompson had written the nearest he had come to written reportage in the entire trip - on the cover was one word: Dorthe

see also:

Oscar Zeta Acosta - what happened to him? Thompson wrote about him in 1977

1981 film, where the Buffalo roam, based on the Oscar piece

the great shark Hunt — another book by Thompson


Add comment March 24, 2008

No further signals have been received from the lander, the cause of this loss of communication is not known.

A miniature microphone was also be on board to record sounds on Mars. Attached to the lander spacecraft were a pair of small probes, the Deep Space 2 Mars Microprobes, which were to be deployed to fall and penetrate beneath the martian surface when the spacecraft reached Mars.

http://www.etsimo.uniovi.es/solar/eng/msur98.htm

Mars Polar Lander


Add comment March 22, 2008

“Now for Australia and a crack at the Japs!”

“Now for Australia and a crack at the Japs!” says Errol Flynn in the film Desperate Journey - WWII adventure / propaganda


Add comment March 22, 2008

Disney’s secret weapon?

Disney’s secret weapon?

Playing on children’s fears of being alone, said Premiere magazine 1999.

Tarzan director Chris Buck:

“There is some sort of universal connection with the orphan… there are times in your life when you feel alone.”

Premiere:

Simba has “acute self loathing, a Peter Pan complex”

Tod the fox cub has “separation anxiety”

Therapist  Bernie Wooder: “Disney is very much appealing to abandonment… and seeing that it all turns out right in the end”


Add comment March 21, 2008

Insight: John Walsh on Nic Roeg

 I’d asked if he’d ever had a terrible shock in his childhood. “No,” he said, “unless you count that business with my father.” His father had fought in the First World War and his face was partially disfigured. To young Nic (born in 1928) it was just his dad, and his face took on a kind of skewed beauty. Then one afternoon, he invited a schoolfriend home for tea. Afterwards, in the garden, the friend asked, “How long’s your dad been like that?” Like what? said Nic. “You know,” said the friend, “hideously disfigured like that.” Nic looked at his father’s face again, and was shocked by what he saw. And of course that moment - in which a loved and familiar face is horribly transformed - recurs in Roeg’s films: when the killer turns round in Don’t Look Now, when David Bowie shows his featureless face to Candy Clark in The Man Who Fell to Earth, when Mick Jagger is re- styled as a vicious greaser in Performance, when David Gulpilil’s trusted, protecting face is transformed by warpaint for a pubertal dance in Walkabout, when Theresa Russell (Mrs Roeg) is made over as King Zog in Aria and Amanda Donohoe’s gorgeous physiognomy gets progressively wasted in Castaway. Maybe all this doesn’t get us all that far in understanding the great visionary’s work. But I pass it on to the thunderstruck Film Crit world for what it’s worth. If ever there was an illustration of Wordsworth’s line about the child being father of the man …

John Walsh on Monday: The soul of Britain on a summer night
Independent, The (London), Jun 28, 1999 by John Walsh

http://findarticles.com/p/articles/mi_qn4158/is_19990628/ai_n14226332/pg_2


Add comment March 18, 2008

The problem with violent films

Professor Kevin Browne

The “volatile combination” - children from violent families will be influenced by violent movies.

But maybe more important is the way violent films desensitive people to violence - they become passive to violence?


Add comment March 18, 2008

Manny Farber

Film critic

America out west has space and horizons - doesn’t need the artificial distance of irony.

Film, 1999. Tx: Negative Space


Add comment March 16, 2008

Nouvelle Vague

http://findarticles.com/p/articles/mi_qn4158/is_20000310/ai_n14295844


Add comment March 14, 2008

Neil Young - Wonderin - great video

What’s the technique here? Neil’s doing his performance slowly? - it’s then sped up?


2 comments March 6, 2008

The bones of Colonel Fawcett

BBC 2 - 1999
Benedict Allen went to Brazil’s Xingu National Park. North of the country - last bit of rainforest. He was searching for the truth about Colonel Fawcett, his son Jack and and Jack’s friend - Raleigh Rimell. They disappeared in 1925 - they were searching for a lost city of gold - as mentioned in a manuscript. Were they killed after offending an Indian tribe (after slapping a native child)?

Sep 25 1999 - Fawcett’s family were reported to be angry about this film. They dispute Allen’s theory - say he may have been looking in wrong place. They still hold Fawcett’s letters - he hid his real reason for the journey - and say the BBC did not call them. BBC said they could not be reached. Daughter Joan and granddaughter Rolette de Montet-Guerin.

Apparently Fawcett was disillusioned by Great War and influenced by Theosophical society - he felt convinced that the key to ancient religious mysteries were held deep inside the Amazon Jungle.

They obscured their tracks?

Fawcett believed he would never return from his mysterious rendezvous?

Family believe that Fawcett lived in Jungle for many years? Were not killed?

Kalapalos elders deny the killing.

See also:

Lost City of Z

Five years later family allowed access to letters?

http://www.guardian.co.uk/uk/2004/mar/21/research.brazil


1 comment March 2, 2008

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